Gordy Haab is a Grammy Award-winning film, video game, and television composer. His most recent project is the Chinese blockbuster Fengshen – Creation of the Gods: Kingdom of Storms (Well Go USA), which garnered $400M in box office in its home territory prior to the film’s 2023 North American Release. Haab is also well known for his music for AAA and AAAA video game titles including Star Wars Jedi: Survivor, Star Wars: Squadrons, Star Wars Jedi: Fallen Order, Microsoft’s Halo Wars 2, and Star Wars: Battlefront I and II, among others.
In 2022, Haab was nominated for an International Film Music Critics award for his work on the feature film My Country, My Parents, and was bestowed the inaugural “Music City Maestro” Award by the Society of Composers and Lyricists for his ongoing support of the Nashville music and recording community. In October 2022, his music from Star Wars: Battlefront I and II was featured as part of DICE’s 30th anniversary concert series and performed by the Royal Swedish Opera in Stockholm.
In 2020, for the second time in three years, Haab won ASCAP’s Composers Choice award for Video Game Composer of the Year. He also took home the inaugural Society of Composers and Lyricists Award for Best Interactive Score, and Music of the Year at the 18th annual Game Audio Network Guild Awards for Star Wars Jedi: Fallen Order, which he co-wrote with composer Stephen Barton. In 2018, Billboard proposed that he could be the “Heir Apparent to John Williams.”
For his work on Star Wars: Battlefront, Haab won Music of the Year, Best Interactive Score, and Best Instrumental Score at the 14th annual Game Audio Network Guild Awards and his work was nominated for a BAFTA for Excellence in Audio Achievement. Haab also scored Activision/AMC’s The Walking Dead, based on the #1 hit TV series, and Microsoft’s Kinect: Star Wars, which won Best Music at the Hollywood Music in Media Awards. He continues to compose the music for EA and Bioware’s Star Wars: The Old Republic, for which he was awarded Best Original Soundtrack and Best Instrumental Music at the 10th Annual Game Audio Network Guild (G.A.N.G.) Awards.
Haab’s music has received the highest praise from numerous industry publications and many of the world’s leading media outlets, including the Huffington Post, who said, “Star Wars: Battlefront is sounding better and better everyday…this new Star Wars music will light your saber”. Hardcore Gamer said, ‘‘Star Wars: Battlefront features the best game score John Williams never wrote”. And the Los Angeles Times said, “Haab created ‘the B-side to John Williams’ score’”.
Haab is known for his unsurpassed understanding of the orchestra as well as his unique ability to blend contemporary and traditional sounds into one – oftentimes conceiving and creating brand new musical instruments to feature in his scores. He has recorded and conducted his music with orchestras from all around the world, including The London Symphony Orchestra, The San Francisco Symphony, The Nashville Symphony and the Hollywood Studio Orchestra.
A few of Haab’s other film, television and video game credits include: Anchor Bay’s Behind the Mask: The Rise of Leslie Vernon; MTV’s The Truth Below; Dave Barry’s Guide to Guys; Lionsgate’s War; The Oprah Network’s The Judds; Roadside Attractions’ Shrink; TLC’s Little People Big World; ABC’s Greek; NBC’s Kath and Kim; VH-1’s Scream Queens; Endeavor’s At the Edge of the World’; LucasArts’ Indiana Jones and the Staff of Kings, and many others.
Haab is a graduate of the University of Southern California, where he received his master’s in Scoring For Motion Pictures, Television and Other Media. Prior to this, he received a bachelor’s degree in Music Composition at Virginia Commonwealth University. While he learned from many composers in university and conservatory settings, Haab says that most of his music education comes simply from, “Playing in hundreds of rock bands and being an avid fan of Hitchcock, Kubrick, Lucas and Spielberg films . . . “B” Horror Movies of the 70’s and 80’s . . . and all of their great scores.
Gordy Haab is a Grammy Award-winning film, video game, and television composer. His most recent project is the Chinese blockbuster Fengshen – Creation of the Gods: Kingdom of Storms (Well Go USA), which garnered $400M in box office in its home territory prior to the film’s 2023 North American Release. Haab is also well known for his music for AAA and AAAA video game titles including Star Wars Jedi: Survivor, Star Wars: Squadrons, Star Wars Jedi: Fallen Order, Microsoft’s Halo Wars 2, and Star Wars: Battlefront I and II, among others.
In 2022, Haab was nominated for an International Film Music Critics award for his work on the feature film My Country, My Parents, and was bestowed the inaugural “Music City Maestro” Award by the Society of Composers and Lyricists for his ongoing support of the Nashville music and recording community. In October 2022, his music from Star Wars: Battlefront I and II was featured as part of DICE’s 30th anniversary concert series and performed by the Royal Swedish Opera in Stockholm.
In 2020, for the second time in three years, Haab won ASCAP’s Composers Choice award for Video Game Composer of the Year. He also took home the inaugural Society of Composers and Lyricists Award for Best Interactive Score, and Music of the Year at the 18th annual Game Audio Network Guild Awards for Star Wars Jedi: Fallen Order, which he co-wrote with composer Stephen Barton. In 2018, Billboard proposed that he could be the “Heir Apparent to John Williams.”
For his work on Star Wars: Battlefront, Haab won Music of the Year, Best Interactive Score, and Best Instrumental Score at the 14th annual Game Audio Network Guild Awards and his work was nominated for a BAFTA for Excellence in Audio Achievement. Haab also scored Activision/AMC’s The Walking Dead, based on the #1 hit TV series, and Microsoft’s Kinect: Star Wars, which won Best Music at the Hollywood Music in Media Awards. He continues to compose the music for EA and Bioware’s Star Wars: The Old Republic, for which he was awarded Best Original Soundtrack and Best Instrumental Music at the 10th Annual Game Audio Network Guild (G.A.N.G.) Awards.
Haab’s music has received the highest praise from numerous industry publications and many of the world’s leading media outlets, including the Huffington Post, who said, “Star Wars: Battlefront is sounding better and better everyday…this new Star Wars music will light your saber”. Hardcore Gamer said, ‘‘Star Wars: Battlefront features the best game score John Williams never wrote”. And the Los Angeles Times said, “Haab created ‘the B-side to John Williams’ score’”.
Haab is known for his unsurpassed understanding of the orchestra as well as his unique ability to blend contemporary and traditional sounds into one – oftentimes conceiving and creating brand new musical instruments to feature in his scores. He has recorded and conducted his music with orchestras from all around the world, including The London Symphony Orchestra, The San Francisco Symphony, The Nashville Symphony and the Hollywood Studio Orchestra.
A few of Haab’s other film, television and video game credits include: Anchor Bay’s Behind the Mask: The Rise of Leslie Vernon; MTV’s The Truth Below; Dave Barry’s Guide to Guys; Lionsgate’s War; The Oprah Network’s The Judds; Roadside Attractions’ Shrink; TLC’s Little People Big World; ABC’s Greek; NBC’s Kath and Kim; VH-1’s Scream Queens; Endeavor’s At the Edge of the World’; LucasArts’ Indiana Jones and the Staff of Kings, and many others.
Haab is a graduate of the University of Southern California, where he received his master’s in Scoring For Motion Pictures, Television and Other Media. Prior to this, he received a bachelor’s degree in Music Composition at Virginia Commonwealth University. While he learned from many composers in university and conservatory settings, Haab says that most of his music education comes simply from, “Playing in hundreds of rock bands and being an avid fan of Hitchcock, Kubrick, Lucas and Spielberg films . . . “B” Horror Movies of the 70’s and 80’s . . . and all of their great scores.
2018 Winner
Video Game Score of the Year
Star Wars: Battlefront II
2024 Nominee (with Stephen Barton)
Best Music
Star Wars Jedi: Survivor
2024 Winner (with Stephen Barton)
Best Score Soundtrack for Video Games and Other Interactive Media
Star Wars Jedi: Survivor
2015 Winner (with Allene Quincy & Jason Currie)
Best Original Music
My 2 Black Girlfriends
2024 Nominee
Best Original Score for a Fantasy/Science Fiction Film
Creation of the Gods I: Kingdom of Storms
2024 Nominee (with Stephen Barton)
Best Original Score for a Video Game or Interactive Media
Star Wars Jedi: Survivor
2022 Nominee
Film Music Composition of the Year
My Country, My Parents
2021 Nominee
Best Original Score for a Video Game or Interactive Media
Star Wars: Squadrons
2020 Nominee (with Stephen Barton)
Best Original Score for a Video Game or Interactive Media
Star Wars Jedi: Fallen Order
2017 Nominee (with Brian Trifon & Brian Lee White)
Best Original Score – Video Game
Halo Wars 2
2012 Winner
Best Original Song – Video Game
Kinect Star Wars
2023 Winner (with Stephen Barton, Nick Laviers, Steve Schnur, & Alan Meyerson)
Audio of the Year
Music of the Year
Best Audio Mix
Best Original Soundtrack Album
Sound Design of the Year
Best UI, Reward, or Objective Sound Design
Creative and Technical Achievement in Sound Design
2023 Nominee (with Stephen Barton, Nick Laviers, Steve Schnur, & Alan Meyerson)
Best Main Theme
Best Original Song
Best Cinematic & Cutscene Audio
Best Game Trailer Audio
Sound Design of the Year
Best Game Foley
Best Ensemble Cast Performance
Dialogue of the Year
Best Voice Performance
Creative and Technical Achievement in Music
2021 Winner
Music of the Year
Star Wars: Squadrons
2021 Nominee
Best Main Theme
Star Wars: Squadrons
2020 Winner (with Stephen Barton)
Music of the Year
Star Wars Jedi: Fallen Order
2018 Nominee (with Brian Trifon & Brian Lee White)
Best Cinematic/Cut-Scene Audio
Halo Wars 2
2018 Nominee (with Brian Trifon & Brian Lee White)
Best Interactive Score
Halo Wars 2
2018 Nominee (with Stephen Barton)
Best Music in a Casual/Social Game
Crusaders of Light
2018 Nominee
Audio Of The Year
Star Wars: Battlefront II
2018 Nominee
Music of the Year
Star Wars: Battlefront II
2018 Nominee
Best Cinematic/Cut-Scene Audio
Star Wars: Battlefront II
2018 Nominee
Best Interactive Score
Star Wars: Battlefront II
2016 Winner
Music of the Year
Star Wars: Battlefront
2016 Winner
Best Interactive Score
Star Wars: Battlefront
2012 Winner
Best Original Soundtrack Album
Star Wars: The Old Republic
2012 Winner
Best Original Instrumental Song
Star Wars: The Old Republic
2024 Nominee (with Steve Schnur & Stephen Barton)
Best Music Supervision for a Video Game (Original Music)
Star Wars Jedi: Survivor
2024 Nominee
Score of the Year
Creation of the Gods I: Kingdom of Storms
2024 Winner (with Stephen Barton)
Outstanding Original Score for Interactive Media
Star Wars Jedi: Survivor
2021 Nominee
Outstanding Original Score for Interactive Media
Star Wars: Squadrons
2020 Winner (with Stephen Barton)
Outstanding Original Score for Interactive Media
Star Wars Jedi: Fallen Order